• EXHIBITIONS
  • CONVERSATIONS
  • MAKING PUBLIC SPACE
  • OTHER WRITING
  • Cydney Payton
CYDNEY PAYTON
  • EXHIBITIONS
  • CONVERSATIONS
  • MAKING PUBLIC SPACE
  • OTHER WRITING
  • Cydney Payton
Installation view of  The Legend of Bud Shark & His Indelible Ink  at Museum of Contemporary Art DENVER, February 3 – June 28, 2009.

Installation view of The Legend of Bud Shark & His Indelible Ink at Museum of Contemporary Art DENVER, February 3 – June 28, 2009.

Installation view of  The Legend of Bud Shark & His Indelible Ink  at Museum of Contemporary Art DENVER, February 3 – June 28, 2009.

Installation view of The Legend of Bud Shark & His Indelible Ink at Museum of Contemporary Art DENVER, February 3 – June 28, 2009.

The Legend of Bud Shark & His Indelible Ink , 2009, DAP/Distributed Art Publishers, Inc.. New York, New York.

The Legend of Bud Shark & His Indelible Ink, 2009, DAP/Distributed Art Publishers, Inc.. New York, New York.

John Buck, Enrique Chagoya, Bernard Cohen, Red Grooms, Don Ed Hardy, Jane Hammond, Robert Kushner, Hung Lui, Hollis Sigler, Betty Woodman

Artist's Website

This group exhibition features 85 prints by ten artists who have created works on paper with Master Printer Bud Shark of Shark’s Ink in Lyons, Colorado. The collection on view represents a survey of his studio since its inception in the mid-seventies. Trained as a Master Printer at the Tamarind Institute at the University of New Mexico, Shark has produced lithographs, monoprints, woodcuts, and etchings by renowned artists, largely from the US. The presented artists have worked with Shark for many years, engaging in a collaborative process that has resulted in works that are technically and visually innovative. The approach employed at Shark’s studio is unique to the creative process, as the artist and the printer work side-by-side to manifest beautiful works. The earliest prints in the exhibition are from 1976. They were created with Shark and Bernard Cohen who met at the University of New Mexico, Albuquerque, where Cohen was a visiting artist during the 1969/70 academic year. Noteworthy among all the works are the unique three-dimensional prints Shark made with Red Grooms. They are visually stunning, requiring complex problem solving by the artist, Shark, and his longtime studio assistant, Roseanne Colachis, who assembles the works into their final sculptural form.

The studio is enlivened by its location in Colorado and by the working environment created by Shark and his wife, Barbara. Their wonderful partnership contributes to the atmosphere and the historic nature of print studios, noted for blending the personal and the professional. The invited artists stay at the Shark’s home while working in the studio. Barbara Shark, who is also an artist, prepares memorable meals. The studio booms with music contributed by Bud and many artist friends. A book of Budisms, quips and witticisms, and a book filled with notes left by visiting artists add to the legend of Shark’s Ink.

 

 

A Curatorial Archive